Posts Tagged ‘parody’

Feminist WARS: The Farce awakens: Transcript

December 14, 2014

Many thanks to Linda for supplying this transcript!

[0:00] Thunderf00t: What’s that? Anita Sarkeesian was invited to talk at a conference on digital ethics? Really? Are we talking about the same Anita Sarkeesian who says this about piracy:

[0:13] “Why we need you Veronica Mars”: “That said, you should go out immediately and BitTorrent, pirate, rent, buy—whatever you have to do to watch Veronica Mars.”

[0:20] Thunderf00t: -and the one who laments that third parties cannot flag things as harassment—which means that it was Anita who saw these tweets and thought they were so offensive that they warranted flagging someone off Twitter, and it couldn’t have been third parties.

[0:37] Thankfully, after I was initially suspended, Twitter very quickly saw the light and reinstated my account.

[0:44] Look, Anita, let me explain why random third parties cannot flag stuff for ‘harassing’ someone else. First and foremost, it’s a blank cheque for flagging campaigns.

[0:57] Now I know you like to change the rules such that the internet is just one giant echo chamber for your opinion:

[1:03] Sarkeesian: “How are their forums allowing conversations to happen or not happen? What are—there’s so many things, right? We could brainstorm a million ways that we could create these structural changes. And creating structural change means people have to follow those structures.”

[1:17] Thunderf00t: And I hate to break this to you, but if it does come down to this flagging war that you seem to be itching for, it will be minorities and batshit crazy groups like your own brand of feminism that will be crushed.

[1:31] And even if by some miracle you win, and convince Twitter to turn itself into an echo chamber where only your particular brand of feminism will be allowed:

[1:42] “Feminism in Focus – Anita Sarkeesian”: “But one way that I personally deal with comments is to moderate them, because I really want to create a space where people can come and engage with feminist ideas, where they don’t have to risk being harassed or ridiculed.”

[1:54] The Colbert Report: “That’s right. It’s a safe space where like-minded folks can hear things they already agree with from someone who’s opinion they already know.”

[2:01] Thunderf00t: All you will achieve is to create an opening in the market to be filled by someone who actually does value the robust and level playing field of free speech.

[2:12] But surely, someone with such profoundly thin skin as Anita, feeling that she is entitled that society treat her in a privileged fashion—at least compared to everyone else—would at least treat others as she expects to be treated. Right? After all, she does spend a lot of time composing her tweets:

[2:33] Sarkeesian: “Sometimes I feel this double-edged sword because I’m very careful about what I say. I’m very careful about—I spend hours trying to compose a tweet.”

[2:41] Thunderf00t: Nah, for Anita, she was quite happy to say this about the formidable Christopher Hitchens about two days after he died. Yeah. Smearing a man who’s been dead for only about two days by calling him “a racist, a sexist, and a warmonger” (femfreq).

[2:58] But that wouldn’t be ‘harassment’ now, would it Anita? Oh, but if someone points out that you lied through your teeth in your video series—oh, that’s outrageous criti—sorry—that’s outrageous harassment! But oh if someone blames feminist actions for a feminist’s PR problem—that’s gotta be hatred of women. That’s gotta be misogyny.

[3:20] Got news for you, Anita. Hitchens will achieve more dead than you will ever achieve by being alive.

[3:27] Christopher Hitchens: “If you want to get good people to do wicked things, you need religion. What do I mean by that? I mean to say that, who, when they see a newborn baby arriving in their life—if anyone’s ever thought, even myself, ‘Well, maybe there is something to this. Look at the perfection of this little bundle . . . but they say, ‘I tell you what though, before we go any further we need to get a sharp knife or a stern from somewhere and start hacking away at the genitalia of this little bundle; because if we don’t, we won’t be doing god’s will. Now, where is—no moral person would do such a thing unless they thought it was divinely warranted.”

[4:03] Hitchens: “Is it not the case that the spread of Christianity—about which you spoke so warmly and affectingly in your opening remarks—attributing it to the innate truth of the Bible’s story was spread by that means, or because the Emperor Constantine decided to make Christianity the official religion of the Roman Empire? Which in your view contributed more to the spread of the faith?”

Frank Turek: “The Holy spirit.”

Hitchens: “I rest my case.”

[4:31] Thunderf00t: Or blaming ‘toxic masculinity’ and ‘patriarchy’ for a school shooting less than 24-hours after that school shooting.

[4:40] Sarkeesian: “Sometimes I feel this double-edged sword because I’m very careful about what I say. I’m very careful about—I spend hours trying to compose a tweet.”

[4:48] Thunderf00t: That wouldn’t be offensive or harassment, now would it? Yeah, Anita, you might be happy now that Twitter allows people to be offended on other people’s accounts and flag them as such. After all, that is what you and Women, Action & the Media wanted.

[5:05] But damn, you should be careful what you wish for. ‘Cos don’t you know that many people would regard YOUR tweets as ‘harassing’? I mean, don’t ya think that calling someone a racist only two days after they died would be deemed as ‘harassment’ by at least the relatives? And don’t you think that blaming a school shooting on ‘patriarchy’ before the bodies are even cold would be deemed as harassing and offensive by the parents of those children?

[5:38] By your lack of vision, and your lust to be able to control what people are and are not allowed to say, you have been petitioning for the tools of your own demise.

[5:50] And, like I say, even if by some miracle you get Twitter to give you all the privileges that you think that you’re entitled to—you know, like you have on Wikipedia—yeah, not a single word on there about Anita Sarkeesian’s dishonesty. And the fact that her project raised 25 times as much money as it needed:

[6:09] Sarkeesian: “I actually raised 25 times [applause] what I initially asked for.”

[6:18] Thunderf00t: -is now two YEARS overdue, and still hasn’t produced half of the videos that it said it would. Not a mention of these facts on Anita Sarkeesian’s Wiki page.

[6:30] Nah, even if you manage to get Twitter to give you all this special treatment, it will not change the fact that in your own terms, you are just Jack Thompson with boobs—no, I take that back, ‘cos that’s not entirely true. You’re Jack Thompson on steroids, with boobs. ‘Cos not only do they claim that videogames cause violence, Feminist Frequency writer Jonathan McIntosh on Twitter, “Scientific consensus is that playing violent video games increases aggression and aggressive behaviors. Amazing so many people are still in denial” (radicalbytes).

[7:06] Thunderf00t: But they also believe that they cause sexism:

[7:09] “Women as Background Decoration: Part 1”: “In other words, viewing media that frames women as objects or sexual playthings profoundly impacts how real life women are perceived and treated in the world around us.”

[7:18] Thunderf00t: Yeah, Anita. Rich, middle class, white women—the most persecuted class of people in history. And surely, if only you had a penis, then men would take you seriously. Oh no—wait, not they wouldn’t. ‘Cos newsflash, Anita. A bad argument is a bad argument, no matter how many times you tell someone you’re a persecuted woman who finds everything offensive.

[7:44] Hitchens: “If someone tells me that I’ve hurt their feelings, I say, ‘Well I’m still waiting to hear what your point is’. I’m very depressed how in this country you can be told, ‘That’s

offensive!’ as if those two words constitute an argument or a comment. Not to me, they don’t. And I’m not running for anything, so I don’t have to pretend to like people when I don’t.”

[8:05] Thunderf00t: This is why people like me have always argued for the open marketplace of ideas and a robust and level playing field, ‘cos if you can’t convince anyone in an arena like that, then there’s a good chance that you’re talking crap. I guess this is what I’m trying to tell ya:

[8:22] The Avengers: “You’re missing the point—there’s no throne. There is no version of this where you come out on top.”

[8:28] Thunderf00t: But back to the digital ethics. Is this the same Anita Sarkeesian who, if she was judged by her own standards would be blatantly racist and homophobic and transphobic, and even normalizes white supremacy? ‘Whooa’, I hear people say, ‘surely there’s no way you can justify that?’ Actually, using social justice warrior reasoning—or more specifically, feminist reasoning, it’s trivial.

[8:54] You see, you don’t judge work by its content, you judge it by, say, the number of black people in the work. So, when it comes down to the new Star Wars trailer, FullMcIntosh tweets this, and Anita retweets it: “3 faces in the Star Wars trailer are those of a black man, white woman, and Latino man piloting an X-Wing. That matters more than you may think” (radicalbytes) and, “Let’s take time to consider that the first trailer for the biggest most anticipated movie of the decade features zero white dudes” (radicalbytes).

[9:27] Thunderf00t: Now, for me, I really didn’t care about the gender profile of the film. I just sat there scratching my head like, ‘Hang on. Aren’t all the stormtroopers meant to be clones of Jango Fett?’

[9:37] Star Wars: Episode II – Attack of the Clones: “Your clones are very impressive. You must be very proud.”

[9:40] Thunderf00t: So, w-why is the stromtrooper black? And why is this woman so small that she can ride on RoboCop 2’s shoulder cannon? And then FullMcIntosh thinks that this guy is a Latino and not some white dude. Personally, I’m surprised that they didn’t tweet how the only woman in the trailer was wearing Islamic-type garb and was therefore promoting the idea that women must cover up their faces to avoid being raped or something.

[10:07] Nah, for me, I found the spoof trailers ripping one Abram’s use of lens flare and the, ‘it’s a new Star Wars movie means you gotta have a new novelty light saber type stuff’, far more relevant, and far more entertaining. Yeah, I know, Anita. Come on, tell us how Abrams’ friends and supporters should be able to flag ALL of this media as ‘harassing Abrams’.

[10:30] But whatever. You get the point. In social justice warrior terms, you judge if a work is sexist or racist by the number of minorities in it.

[10:39] Let’s look at Anita Sarkeeian’s ONLY creation. You know, the proposed videogame which is gonna show us how to free ourselves from the stereotypes, clichés, and tropes in computer games by essentially a verbatim retelling of Prince of Persia: “The player must lead the game protagonist out of the dungeon and into a tower. Doing so requires bypassing traps and fighting hostile swordsman” (http://en.wikipedia.org/wiki/Prince_of_Persia_(1989_video_game)

[11:07] Apart from it’s a woman in the leading role—which is totally not a man with boobs trope—‘cos, you know it’s only a sexist trope when men do it. Yeah. Let’s see. ‘No black people, not even a stereotypical person of color, let alone one which is a very interesting character that’s NOT beholden to stereotypes. Therefore, RACISM.’

[11:28] And for those who think that’s harsh, let’s check out Anita’s criticism of “True Blood”:

[11:33] “Beyond True Blood’s Sensationalism”: “-no other black men and no other queer men on the main cast. So, he’s really all we get in terms of alternative sexuality and as far as black male masculinity.”

“We see Lafayette working in the kitchen of Merlotte’s but on the side he’s also a prostitute, and he runs his own porn website, and he’s a drug dealer. I mean, really, could there be any other stereotypes thrown in here?”

“He is every stereotype about black queer men all rolled into one pretty package and it constantly infuriates me because we don’t want to reinforce these stereotypes. We want to dispel them and break them down and make very interesting complicated textured characters that are beyond stereotypes—but NO. True Blood can’t do that.”

[12:20] Thunderf00t: ‘Let’s see, no gay people. Check. Homophobic. No trans-people. Check. Transphobic. Only white people in the entire game. Check. Normalizing white supremacy.’

[12:35] Now, I wonder if FullMcIntosh will tweet about this outrageous racism, sexism, transphobia, homophobia, in this game concept? I mean, he was quite happy to break down a one minute or so trailer with only three people in it along ethnic and gender lines. I wonder if he’ll do the same with Anita’s game concept? Which, apart from the man-with-boobs lead role, ALL of the characters are white dudes.

[13:02] ‘Yes, this regressive, all-white casting must stop. We need righteous people like McIntosh to lead us in condemning writers of this white supremacist crap. People like Anita Sarkeesian and Jonathan McIntosh’. Oh.

[13:22] But let’s keep going. Let’s see. ‘Promotes violence against men. Check. Man-hating and promoting domestic violence. Normalizes the concept that the only way to deal with men, is through violence, institutionalizing feminist supremacy theory’. Oh, and of course, let’s give it the Bechdel test:

[13:44] “The Bechdel Test for Women in Movies”: “The Bechdel test, or the Mo Movie Measure, is a type of litmus test to assess the presence of women in movies.”

“When I call it a systemic problem, what I mean by this is that it’s not just a few people here and there that don’t like women, or don’t want women’s stories told, but rather that the entire industry is built upon creating films and movies that cater to and that are about men.”

“Next time you go to the movies, just ask yourself these few questions: are there two or more women in it, and do they have names? Do they talk to each other? And do they talk to each other about something other than a man?”

[14:18] Thunderf00t: Yes, Anita’s game concept would fail EVERY SINGLE element of the Bechdel test, a test which notably films like The Bikini Carwash Company would pass with flying colors.

[14:31] And yes, this is the same, um, ‘test’ which Sweden has decided to introduce as a film rating in a bid for gender equality (http://www.theguardian.com/world/2013/nov/06/swedish-cinemas-bechdel-test-films-gender-bias). ‘Cos, you know, where there was a load more films like the Bikini Carwash Company that would sure be one hell of a step toward gender equality.

[14:50] But let’s see, ‘The lead character is neither fat, or disabled. Well, that’s fat-shaming and ableism! Has she no empathy for the special snowflakes on Tumblr with headmates and otherkin?’

[15:04] ‘The lead character is not a dribbling retard, programming the audience through media exposure that dribbling retards cannot, say, break out of jail and achieve things. Dribble-shaming! And retardaphobia.’

[15:19] ‘The main character is heteronormatively beautiful, a purposeful effort to institute game mechanics that undermine the confidence of ugly women. And this is done exclusively to promote and maintain the, uh, privileges that this girls’ club of normatively beautiful women think that they’re entitled to.’

[15:40] Thunderf00t: And what’s with the giant eye-to-head ratio? Did Anita sit there and say, ‘No, I don’t want the women in this game to look like adults. We need to pedomorphize them to give them this really big eye-to-head ratio because we need to normalize and institutionalize pedomorphic sexualization of women in this game while simultaneously portraying the men with appropriate adult proportions, implicitly encouraging the ageist and discriminatory concepts that young, beautiful women are more sexually valuable then old, wrinkly, ugly ones.’

[16:15] ‘And let’s be real, this whole game from start to finish is just one superficial excuse to indulge in armor porn. The lead character is wealthy, normalizing the narrative that rich people can do whatever they want without consequences. And seriously, what message is this game sending our children? That all you need to do to become a rich, happy, white woman is violently assault and kill a load of men. Is that not the narrative that this videogame is promoting? Have you not read this book about how games become reality and influence our behavior? Should

we not prosecute these people for the murders that they are responsible for? Or at least prevent them from spreading this narrative of hate speech at a minimum. Should we not institute structural reform that will prevent them from proposing these hateful things?’

[17:13] Sarkeesian: “And creating structural change means people have to follow those structures.”

[17:16] Thunderf00t: ‘‘Cos once we’ve ejected these sexist, racist, homophobic, transphobic, fat-shaming, retard-shaming, dribble-shaming, white supremacist bigots—then we can finally have an open and more FREE form of gaming, a more INCLUSIVE gaming community where finally, once and for all, no one will EVER be offended.

[17:41] Hitchens: “If someone tells me that I’ve hurt their feelings, I say, ‘Well, I’m still waiting to hear what your point is.’”

“I’m very depressed how in this country you can be told, ‘That’s offensive!’ as if those two words constitute an argument or a comment. Not to me, they don’t. And I’m not running for anything, so I don’t have to pretend to like people when I don’t.”

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IF men acted like Feminists (Part 2): Transcript

July 12, 2014

[0:00] Thunderf00t: Now, many would think that Anita Sarkeesian has said some pretty dumb stuff over the years, and that therefore no one would take her seriously. Well actually, this year, 2014 she got an Annual Game Developers Choice Award. Specifically,

“The Ambassador Award, honoring someone who is helping video games “advance to a better place” through advocacy or action, is going to media critic Anita Sarkeesian, creator of Feminist Frequency, a video series that deconstructs representations of women in game and pop culture narratives”.

[0:38] Woow, that’s impressive! I mean there really aren’t many towering intellectuals who could lay claim to the title of a “media critic”.

[0:47] But what would it look like if men acted like feminists in “deconstructing the representations of men in pop culture narratives? Well I think it would look a little something like this:

[0:59] “So I got a lot of feedback from privileged women on my last video about why men shouldn’t be used as sword practice by females. This was mostly from women in denial about the serious, social-ableist-oriented, neo-gendered boundary-integrity issues that this problem causes.”

[1:20] “Firstly, they need to educate themselves on that it’s possible to both enjoy a media while simultaneously being critical of its more pernicious aspects. That’s why I always ensure that ratings and comments are disabled—for your comfort and convenience. After all, I AM telling you the truth. And only man-haters would want to allow those telling man-hating lies to confuse the clarity of what I am telling you.”

[1:48] “This is why we need BrotherlyBroadcast videos to be taught without opposition in schools, classrooms, and even universities. It’s only fair.”

[1:59] “In this sense, it’s good for us to remember that we are ALL influenced by the media we watch in a way that closely resembles homeopathy.”

[2:08] clip from Feminist Frequency, “Women as Background Decoration: Part 1 – Tropes vs Women in Video Games” : “While it may be comforting to think that we all have a personal force-field protecting us from outside influences, this is simply not the case. Scholars sometimes refer to this type of denial as a “third-person effect”, which is the tendency for people to believe that they are personally immune to media’s effects, even if others may be influenced or manipulated.”
“Paradoxically, and somewhat ironically, those who most strongly believe that media is just harmless entertainment, are also the ones most likely to uncritically internalize harmful media messages.”
“In short, the more you think you cannot be affected, the more likely you are to be affected.”

[2:44] Thunderf00t: “That is, the less you think you are affected, the more likely you are TO be affected. I mean, check out the extensive citations below, and you’ll see that I’m telling you the complete, academic, honest truth. But maybe that’s not enough for some people. Maybe there are some out there who say, ‘I’ve watched Star Wars a hundred times. I’ve never even once thought about turning into a Dark Lord of the Sith’; or, ‘I’ve watched The Matrix a thousand times. And no matter how much I think that it’s a fantasy, I still can’t dodge the bullets!’”

[3:20] “Well, facts really aren’t relevant here, because I’m citing feminist research. Specifically, over $30,000 of feminist research.”

[3:30] clip from Feminist Frequency, “Women as Background Decoration: Part 1 – Tropes vs Women in Video Games”: “In short, the more you think you cannot be affected, the more likely you are to be affected.”

[3:36] Thunderf00t: “The first thing that you have to realize, is just how much these games OBJECTIFY men. Again and again, the men in these games are just portrayed as objects to be acted on.”

[3:50] clip from TEDxYouth, “The Sexy Lie: Caroline Heldman . . .”: “We’re thinking about the object-subject dichotomy. Subjects act. Objects are acted upon.”

[3:57] clip from Feminist Frequency, “Damsel in Distress: Part 1 – Tropes vs Women in Video Games”: “is via what’s called the subject-object dichotomy. In the simplest terms, subjects act, and objects are acted upon.”

[4:03] clip from lacigreen, “SEX OBJECT BS”: “-the subject. Subjects act, while objects are acted upon. Now I know you’re thinking, ‘crazy Laci, what’s this got to do with sexuality?’ And the answer is: everything.”

[4:15] Thunderf00t: “Because, once something has been turned into an object, violence against that object becomes intrinsically permissible. Now I know there will be many out there who will say, ‘that’s absurd. I mean everyone knows that the streets are full of cars, which are objects. But if you try to smash those objects up, you’ll get arrested for vandalism; because, just because something is an object, that doesn’t mean that violence against it is acceptable’.”

[4:42] “Well, once again—facts are really not relevant here; because I’m citing feminist research. Specifically, over $30,000 of feminist research.”

[4:54] clip from Feminist Frequency, “Women as Background Decoration: Part 1 – Tropes vs Women in Video Games”: “Once a person is reduced to the status of objecthood, violence against that object becomes intrinsically permitted.”

[5:01] Thunderf00t: “The pattern of having men turned into objects by women such that they can be dehumanized and objectified such that the protagonist women in question can shoot them, hack them, or simply throw them to their deaths, is widespread in popular culture. It even encourages females to throw both old men and young male children off towers.”

[5:27] “Now, the more observant among you might say, ‘but the video you just showed, showed a man throwing a young boy off a tower’. Yes, that’s right—a man being puppeteered by feminist theory. Indeed it’s SO widespread now that almost ALL games are [oriented] to fulfill this deeply seated female need. Women are meant to derive this perverse sense of pleasure from having males desecrate the bodies of unsuspecting male victims. It’s a rush streaming from a carefully concocted mix of sexual arousal connected to having the subservient gender trait of males controlling and punishing representations of other males.”

[6:11] “In my previous analysis, I came to the CLEAR, academic conclusion that MEN killed by women is actually due to the influences of feminist theory in the mainstream media such as movies and interactive media such as games. And now we find that feminist theory is actually ALSO responsible for all men being killed by MEN.”

[6:34] “That is, feminist theory is DIRECTLY responsible for ALL the violent killings of men in the world. This is clearly a very serious issue, and requires IMMEDIATE action—not just sitting around and talking about it, but to take action. I mean, we could all sit around here whining all day and it won’t achieve anything.”

[6:57] “This requires something serious, not just talk—something radical, something totally different from complaining; something dramatic. I don’t know, maybe as severe as a hashtag. Or better still, we can get this subject unpacked and deconstructed by a pop culture critic such as myself; because we all know that pop culture critics are the intellectual gods of our time. And we all know that if you want something done properly THAT’S where you should go.”

[7:28] “I just want men to be whole, complete, non-disposable characters in movies and not to be shot, stabbed, or disposed of by women; or by men who have been subverted by the detrimental normalizations of feminist theory. Is that really such a big thing to ask from the movie and gaming industry?”

[7:52] “I mean, I don’t care that people say this would make a really dull game, and that no one would want to play it. And I don’t care that people say that it would be an economical failure; because we all know that “economic viability” is just another one of those buzz-words that is used by feminists so that they can continue making these computer games with their erotic fantasies about getting men to kill other men. You just don’t know what it’s like to be a MAN, knowing that any woman out there might use you for sword practice. And yet women still pretend this is not a big social problem.”

[8:29] “Well, I think we should end this. Don’t tell ME not to dress like an interchangeable target. Teach women not to kill. Or better still, don’t tell me to sleep with one eye open. Teach women not to stab people to death in their sleep; like in the film, Basic Instinct.”

[8:47] “Now, I know there will be many women out there who will try and distance themselves from this saying, ‘that’s absurd. I would never stab you to death in your sleep because I saw it in a film’. Well that’s exactly the sort of denial you would expect BECAUSE”:

[9:00] clip from Feminist Frequency, “Women as Background Decoration: Part 1 – Tropes vs Women in Video Games”: “Paradoxically, and somewhat ironically, those who most strongly believe that media is just harmless entertainment, are also the ones most likely to uncritically internalize harmful media messages.”
“In short, the more you think you cannot be affected, the more likely you are to be affected.”

[9:18] Thunderf00t: “That’s right. The ones who say that they are least affected are the ones who are most likely to stab you to death in your sleep. Remember, this is what $30,000 of feminist research looks like. So it must be true.”

[9:32] “Women simply can’t understand what it’s like to be used for sword practice because of their privilege. Women have the privilege of being able to express their sexuality while feminist theory has prevented men from expressing theirs; sometimes, physically.”

[9:49] “Now many women who have been brainwashed by this feminist theory will say that women don’t have privilege. Well yes, of course you can’t see your privilege. That’s like being raised your whole life in a red room, and then being taken out of that red room and being asked to describe what the color red looks like.”

[10:08] “But just because you can’t SEE your privilege, that doesn’t mean that it doesn’t exist, and you doubling down and denying your privilege—or even worse, asking me for evidence for it—is simply making the issue worse.”

[10:23] “And this is the reason why I make these videos on manlyism. And BrotherlyBroadcast Videos have been used in classrooms, high schools, universities, and even presidential speeches. Many a times, I received thank-you notes from parents who’ve used this material to educate their daughters, how stabbing a vulnerable man to death in his sleep with an ice pick, is BAAD. Remember, don’t teach ME to take precautions with MY safety. Teach YOUR daughter not to stab people.”

[10:56] “And with all this female privilege, is it any wonder that they’re incapable of understanding how hard it is, to be a man? In short, if you’re a woman, you are unqualified to tell a man what his oppression feels like. And no matter how much you feel the need to ‘femisplain’ why using men as target practice is just ‘harmless fun’, you just need to shut up and listen. You need to educate yourself on what it’s like to be a man. I mean, this is manlyism 101 here. We need for you to become manlyists, the radical belief that men shouldn’t be used for female sword practice; because if you’re not a manlyist, then you’re a bigot. A sexist bigot. I mean, there is nothing in between.”

[11:43] Clip from “Gloria Allred: If You’re Not a Feminist, Then You’re a Bigot”: “I often say that if you’re not a feminist then you’re a bigot. I mean there is nothing in between.”

Many thanks to Linda for providing the transcript!

IF Men acted like FEMINISTS! (transcript)

June 29, 2014

 

[0:00] Thunderf00t: You ever sat down and wondered, what it would look like if men saw the world like pop-culture-feminists like Anita Sarkeesian? Well if you sit down and think about something, and DON’T conclude that you’re the victim, then you’ve just not thought about it long enough.

 

[0:16]: Well I think it might look a little something like this:

 

[0:19]: “In this video, we’re going to examine the trope of men as female target-practice. Now it’s no secret that throughout pop culture—in movies, videos, and computer games—that men are universally portrayed as little more than background objects that can be: shot, stabbed, or disposed of, without real world consequences, while simultaneously, feminist theory prevents this from being done to the women.”

 

[0:47]: “Now, remember, it’s possible to enjoy a media while simultaneously being critical of its more pernicious aspects and the socially harmful myths that it propagates.”

 

[0:57]: “In this series, we will critically examine, from a “pop culture perspective, the trope of expendable men as female target-practice, and how this trope perpetuates and normalizes the acceptability of violence against men.”

 

[1:14]: “Now it’s well-known that Hollywood glorifies and encourages female violence against men. Indeed, it’s steeped in it. Like in this film, Misery, named after the man’s suffering in this film, where Ms. Chastain breaks the ankles of honest writer, Paul. It extends pervasively through modern media, where it’s seen that holding an un-consensual man captive against his will just because you like him, is fine.”

 

[1:45]: “Like in this Pink video, where we are encouraged to vicariously enjoy a man being held captive against his will, for no other reason than erotic entertainment of a female.”

 

[1:57]: “And notice, how fem-o-centrically sexist these videos are, in that the woman is fully allowed to express her sexuality while the man is simultaneously and physically precluded from expressing his.”

 

[2:12]: “Or in this Lady Gaga video, which takes it one step further, where she’s actually seen to set fire to the man and taking his property, sexualizing the aspects of a man that don’t even require him to be alive.”

 

[2:27] clip from Feminist Frequency, “Kanye West’s Monster Misogyny”: “I think that bears repeating. This video fetishizes the aspects of women that don’t even require us to be physically alive.”

 

[2:34] Thunderf00t: “You know, I’ve often heard it said, that in the game of feminism, men are not the opposing team. They are the sword practice.”

 

[2:41]: “In the film Kill Bill, a film whose very title glamorizes and normalizes the idea that fatal acts of violence against men are acceptable, and indeed should even be actively sought out.”

 

[2:55]: “Here, the interchangeability and disposable nature of these men is formally conveyed to the audience by virtue of the fact that they all wear masks. We are left with no other option, but to conclude that these men are genericdehumanized objects with no distinguishing features.

 

[3:13]: “This is emphasized by the fact that we have no connection to these men. We know nothing about them. What are their names? What do they do at weekends? What sort of things do they seek out in a life partner, and so on? No, the only thing that we know about these people is they are utterly disposable. And the only thing left for the protagonist to decide is in which order to kill them.”

 

[3:36]: “We are simply left with the understanding that men are strictly indistinguishable, violable objects. And once they have been reduced to the level of objects, it’s okay for the protagonist to kill them with no more emotional investment than throwing away a fast-food container.”

 

[3:54] clip from Feminist Frequency, “Women as Background Decoration: Part 1 – Tropes vs Women in Video Games”: “The dehumanization caused by objectification inevitably leaves us to the concept of disposability.”

 

[4:00] Thunderf00t: “Again and again, we see the perpetuation of the widespread and regressive belief that the male’s primary role is that of mobile target-practice. And that’s a pity, because this medium presents such a great opportunity to explore why males shouldn’t be used for sword practice.”

 

[4:19]: “But that’s not what’s happening here. Here, it is clear that these men have been reduced to the level of objects. And once they’ve been reduced to the level of objects, you should feel no more pity about cutting them up with a sword, than a pizza.”

 

[4:33] clip from Teenage Mutant Ninja Turtles  

 

[4:45] Thunderf00t: “Remember, subjects act. Objects are acted upon. That’s what feminism taught me.”

 

[4:51] clip from TEDxYouth, “The Sexy Lie: Caroline Heldman at TEDxYouth@SanDiego: “We’re thinking about the object-subject dichotomy. Subjects actObjects are acted upon.

 

[4:58Clip from Feminist Frequency, “Damsel in Distress: Part 1 – Tropes vs Women in Video Games”: “-is via what’s called the subject-object dichotomy. In the simplest terms, subjects act, and objects are acted upon.”

 

[5:04] Thunderf00t: “And these days, the indoctrination of impressionable children, starts younger and younger.”

 

[5:10]: “Like in the movie Kick Ass, where a young woman is shown just how exciting it is to go on a killing spree of men. After all, they’re only objects, right? It’s not like killing them should have any real world consequences. Like explaining to the children of this poor, defenseless man”:

 

[5:29] clip from Kick Ass

 

[5:30] Thunderf00t: “-killed in cold blood, as to why daddy won’t be coming home tonight.”

 

[5:35]: “Even law enforcement officers in the line of duty, are not spared from this trope of men as target-practice. It should be noted, that in all of these media, the portrayal of men is universally sexist. The women are allowed to project their sexuality in many aspects, while simultaneously this female privilege is strictly denied to the men, who must remain as generic objects.”

 

[6:05]: “Seriously, could this sexism be any more explicit than in this scene, where the only two clearly distinguishable people in the room, and the ones with speaking roles, are women, where the rest of the room is full of identical men, whose only purpose in the film is to gurgle blood, as they like dying slowly, on the floor.”

 

[6:26] clip from Kill Bill: Vol. 1

 

[6:31] Thunderf00t: “Universally, feminist theory dictates that men are robbed of their sexuality during these scenes where women are simultaneously privileged to be able to appear as thoughtful, independent, sexually appealing, protagonists.”

 

[6:50]: “Sometimes this is graphically true, as seen in the film, Serenity, where the men are literally portrayed as savages, who the female is valiantly fighting to defeat.”

 

[7:02]: “Or in Shawn of the Dead, where there is little distinction made between the men, and the zombies.”

 

[7:08]: “Even in children’s programs, it’s portrayed that because men are not really human, it’s okay to kill them with fire.”

 

[7:16] clip from Sailor Moon [?]

 

[7:25] Thunderf00t: “This is now being taken into a new realm with interactive media, such as videogames, where female protagonists are given a subliminal manual on how to destroy cars with a few swipes of a bat, and killing unsuspecting males by jumping on them from behind and launching into savage, and unprovoked fatal attacks, is seen as a good thing—something for fun.”

 

[7:49]: “The game mechanics encourage this. The men are seen as nothing more than something to be shot, beaten, or blown up for fun. Men, as target practice. Again, once the male has been reduced to the level of object, it’s okay to kill them. Because that’s what feminism taught me about the subject-object dichotomy, is once people have been reduced to the level of object, it’s okay to kill them.”

 

[8:15] clip from Feminist Frequency, “Women as Background Decoration: Part 1 – Tropes vs Women in Video Games”: “The dehumanization caused by objectification inevitably leads us to the concept of disposability.”

 

[8:21] Thunderf00t: “It even glamorizes the female execution of law enforcement officers in the line of duty, by striking a happy and indifferent pose next to the body of the police officer she’s just brutally murdered. Let’s just say that again: these games glamorize women killing exclusively male officers in the line of duty.”

 

[8:45]: “So these interactive algorithms transmit near constant cultural affirmation that female violence against men is acceptable—and, even virtuous. It’s simply the only message being transmitted on this Feminist Frequency.”

 

[9:02]: “So why does any of this matter? Why should it matter if young women are being sent messages about killing men in uniform? Well the obvious—and negative—impacts have been studied extensively over the years. And it’s been found to have a widespread, negative effect on the behavior of women. And the effects on all people are quite clear and very serious. Research has constantly shown that games like this negatively impact female perceptions about real-world men, and reinforces socially harmful myths about the acceptability of using men, as sword practice.”

 

[9:43]: “And that’s all without taking into account how videogames allow a more interactive role for the impressionable women, and encourages a more participatory form of this sadistic enjoyment of violence against men. In these ways, the systems work to facilitate female violence against men, into turning it to a form of play; something to be amusing and entertaining.”

 

[10:09]: “This forces female consumers of this media to become complicit with the game developers in making fatal violence against men a participatory activity. Scholars have again and again found that this has a profound impact on women’s behavior.”

 

[10:27]: “Now, inevitably, whenever these game mechanics, or the clear academic findings are questioned, many female consumers of this media try to dismiss themselves or distance themselves from the issue by insisting that they don’t personally partake in the options to kill men.”

 

[10:45]: “But if they do, or if they don’t, does not change the fact that the object was designed and placed in that environment for that explicit function. A game designed to normalize that it’s okay for women to kill men, is still a game designed to normalize the disposable concepts about men, whether you choose to use it, or not.”

 

[11:06]: “And this we’ve recently been taught. While many might think they have a personal force field that shields them from the effects of these games, this is simply is not true”:

 

[11:15] clip from Feminist Frequency, “Women as Background Decoration: Part 1 – Tropes vs Women in Video Games” “In short, the more you think you cannot be affected, the more likely you are to be affected.”

 

[11:20] clips from The Matrix, Iron Man 2, Kick Ass, Kill Bill: Vol. 1

 

[11:39] clip from Feminist Frequency, “Women as Background Decoration: Part 1 – Tropes vs Women in Video Games” : “While it may be comforting to think that we all have a personal force field protecting us from outside influences, this is simply not the case. Scholars sometimes refer to this type of denial as a “third-person effect”, which is the tendency for people to believe that they are personally immune to media’s effects, even if others may be influenced or manipulated.”

“Paradoxically, and somewhat ironically, those who most strongly believe that media is just harmless entertainment, are also the ones most likely to uncritically internalize harmful media messages.”

“In short, the more you think you cannot be affected, the more likely you are to be affected.”

 

[12:16] Thunderf00tI CANNOT BELIEVE that she comes out with this BULLSHIT!

 

Many thanks to Linda for supplying the transcript! 🙂